{"version":"1.0","provider_name":"Roberto Gerin","provider_url":"https:\/\/escritorgerin.com.br\/antigo","author_name":"Roberto Gerin","author_url":"https:\/\/escritorgerin.com.br\/antigo\/author\/roberto\/","title":"Selma - Roberto Gerin","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/escritorgerin.com.br\/antigo\/selma\/\">Selma<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/escritorgerin.com.br\/antigo\/selma\/embed\/\" width=\"600\" height=\"338\" title=\"&#8220;Selma&#8221; &#8212; Roberto Gerin\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"https:\/\/escritorgerin.com.br\/antigo\/wp-content\/uploads\/2020\/11\/xfilme-selma-uma-luta-pela-igualdade-martin-luther-king.jpg.pagespeed.ic_.Sag_1Va9zC.jpg","thumbnail_width":1086,"thumbnail_height":652,"description":"SELMA (128\u2019), dire\u00e7\u00e3o de Ava DuVernay, EUA (2015), \u00e9 um filme que caminha perigosamente por uma realidade explosiva, naqueles anos sessenta, nos Estados Unidos, d\u00e9cada de lutas dos negros por direitos iguais aos dos brancos. \u00c9 um filme, portanto, real. N\u00e3o \u00e9 um document\u00e1rio, mas passa ali, beirando. Isso \u00e9 m\u00e9rito. \u00c9 um momento importante [&hellip;]"}